Coffee table BEVERLY black ceramic, swivelling tops KARE Design

The Coffee table BEVERLY black ceramic, swivelling tops KARE Design instantly becomes the anchor point of a contemporary living room. Placed in front of a generous fabric sofa or a corner couch, its elongated silhouette defines a clear centre for everyday life. Two circular tops at different heights invite you to set down coffee cups, remote controls or a favourite book, while keeping the space visually light. The black ceramic surfaces give a refined, mineral character, contrasted by the airy loops of the metal structure. Their movement guides the eye from the base to the tops without visual heaviness. This low table fits naturally into an urban apartment or an open-plan home, between rug and armchairs. Its swivelling tops let you adjust the usable surface in a single gesture, creating a living, flexible layout that follows conversations, snacks and relaxed evenings.

Visual design of the table

The BEVERLY coffee table is built around two black ceramic circles that seem to float above a dark base, linked by looping metal arcs. Each top has its own height, creating a layered effect that breaks away from the usual flat rectangle. The ceramic, with its deep, slightly reflective surface, brings a stone-like presence that contrasts with the delicacy of the supporting lines. The black powder-coated steel arcs trace fluid curves, almost like hand-drawn strokes, and give the structure a sense of motion. From the side, the composition reveals an elegant rhythm between full discs and empty spaces. With 133 cm in length and 80 cm in width, the table offers generous surface area without overwhelming the room, as the low 43 cm height stays aligned with modern seating. The overall impression is of a sculptural object that functions as both furniture and visual statement.

Why choose this model

• Two swivelling tops offer adjustable surface orientation, perfect for sharing snacks, working casually or reaching objects from different seats.
• Black ceramic tops create a mineral, graphic centrepiece that pairs well with both light textiles and darker, moodier living room palettes.
• Asymmetrical heights of the circular tops introduce depth, ideal for layering decorative objects while keeping everyday items conveniently separate.
• Long, low proportions suit large sofas and corner arrangements, defining the lounge area without blocking sight lines through the room.
• Expressive looping metal structure adds sculptural interest, turning a functional coffee table into a striking design element in your home.

Where to place this table

The BEVERLY coffee table is particularly at ease in front of a wide sofa, where its 133 cm length mirrors the seating line. Allow a comfortable walkway between the edge of the sofa and the table for everyday circulation. With 80 cm in width, it anchors the centre of a large rug while leaving a visible border, which keeps the composition breathing. Position it so the lower top is closest to the main seat, making it easy to place drinks and small plates, while the higher top hosts books or a decorative vase. In an open-plan living space, the dark base can mark the boundary between lounge and dining zones. For more ideas that harmonise with its style, explore our curated selection of designer low tables and build a cohesive ensemble.

Long-term decorative coherence

To keep the BEVERLY coffee table visually relevant over time, work with contrasts that highlight its black ceramic and slender metal arcs. Pair it with a textured light rug – off-white, stone or soft greige – to emphasise the outline of the circular tops. Sofas in natural linen tones, warm leather or muted colours like moss green or ink blue will soften its graphic character without diluting it. Introduce a few wooden elements, such as a sideboard or small stool, to bring warmth next to the mineral surface. When you later rearrange the room, the swivelling tops help the table adapt to a new orientation, whether facing a different sofa or centred under a pendant light. Limit decorative objects to a handful of carefully chosen pieces so the sculptural interplay between discs and arcs remains the main visual thread.